The Medu Festival Edition has been termed as such because it contains some of the best articles, poems and short stories collected in earlier editions. This is Medu's contribution to the Culture and Resistance Festival of 1982. The aim of the festival was to showcase examples of the rich cultural heritage of southern Africa. The display of art and culture aims to challenge the brutal and systemic repression of the cultural life faced by the oppressed in South Africa. This edition contains a range of poetry and short stories each poignantly reflecting on the tumult of the 1980s. The poetry and prose of Mongane Serote, John Donne, Miles Pelo, Mafika Gwala and Mandlenkosi Langa are included. The edition is ended with an interview with Thami Mnyele and graphics from Medu members. Front page graphic a collection of Medu poster arranged by the Medu Art Collective on silkcreen.

Poster card with the photo of Albertina Sisulu greeting and/or hugging Dorothy Mnyele on the release from jail. Post card is designed by Thami Mnyele.

Fresh footsteps is a play that is developed by four women who are Medu members, Theresa Devant and Lulu Emmig. The play is about South African liberation struggle affected women living in Botswana and the issues facing them as women, the workshop facilitation by Mongane Serote.

Is the concept of "black poetry" valid? James Matthews argues that black poetry has become a powerful force in South Africa. He suggests that poetry by and about the black majority is locally grounded and people no longer look toward America for such inspiration. Matthews draws links between black poetry, black consciousness and black power.

List of the different artists who registered for the Culture and Resistance Symposium. Includes artists' adresses and organisational affiliations.

Ordinary months of the year and display of Medu Posters.

Membership Cards for the Culture and Resistance Conference.

Memorial service of Jenny and her daughter Katryn Schoon (6 years old) was held on the 8 July 1984 at Anglican Church. They were killed by a parcel bomb in Angola, six months after they fled Botswana due to attempted attack on their home in December 1983. They were murdered on the 28 June 1984. Programme has key note speakers, hymns, South African Anthem and Botswana National Anthem.

In this paper, Barry Gilder argues that it is impossible for musicians to be separate from the struggle against Apartheid in South Africa. He suggests that musicians have two options; to be part of the struggle against Apartheid as "revolutionaries who make music" or as musicians who participate in the "revolution as musicians". Musicians can fight Apartheid through holding benefit concerts, creating their own record labels, organising into a collective musical organisation and boycotting the Apartheid state. These methods of resistance and artistic expression, the author argues, will all contribute to a necessary and genuinely popular and progressive musical culture.