Ordinary months of the year and display of Medu Posters.

Original silkscreen printed folder for the Culture and Resistance Symposium/Festival in 1982, Gaborone, Botswana. Artwork by Thami Mnyele.

Information page given to conference delegates giving details of the rules, meal arrangements, venues and a map of the conference site.

Nadine Gordimer writes this insightful paper on the key concepts of "relevance" and "commitment" in relation to black and white writers. She argues that black writers write from their communities and have daily lives which are embedded within relevant contexts. So too, their commitment to black liberation is innate. She suggests that white writers ought to break out of white value systems and a false consciousness to create relevant art and to openly admit that their experience as being white is of a different order to being black. These are the imperatives which both black and white writers face. The whole aim of art, in its attainment of truth and essence, requires the white writer to attain a true consciousness so that both black and white writers may work for the same end.