Minutes of Publishing and Research Unit
- ZA MEDU MEDU-1-1.1-1.1.3-1.1.3.6
- sub-subseries
- 1 March 1982
Fait partie de 1-ORGANISATIONAL BACKGROUND
Meeting addresses the play of Woza Albert, issue of Medu newletter content.
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Minutes of Publishing and Research Unit
Fait partie de 1-ORGANISATIONAL BACKGROUND
Meeting addresses the play of Woza Albert, issue of Medu newletter content.
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Fait partie de 1-ORGANISATIONAL BACKGROUND
Report is about the funds donated to Publications and Research Unit for typewriter and other machines.
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The courage of the youth ensures our victory
Fait partie de 2-MEDU POSTERS
Artists: Albio Gonzalez and Thami Mnyele
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We Salute: Simon Mogoerane, Jerry Mosololi and Marcus Motaung
Fait partie de 2-MEDU POSTERS
Artists: Judy Seidman
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A Women's Place is in the Struggle
Fait partie de 2-MEDU POSTERS
Artists: Judy Seidman
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Opening Remarks 1982 South African Art Exhibition
Fait partie de 4-MEDU CULTURAL WORK
The opening remarks of Art Towards Social Development Exhibition were delivered by Thami Mnyele on 9 June 1982. He gave an idea of the structure of the exhibition; a collection of paintings, sculptures and photographs would be displayed. The second part will be a symposium/festival held on the 5 July to the 9 July 1982. He also mentioned that symposium/festival would be dealing with literature and performing arts such as music, film, theatre and dance. This exhibition is a step towards being hopeful and practical about creating an alternative for artists in South Africa. The main question posed at the exhibition is: how to cultural workers and artists partake in the struggle for national liberation and self determination?
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Fait partie de 4-MEDU CULTURAL WORK
Shades of Change ticket and flyer for Medu play with a portrait of Bochana Mokwena, artwork by Judy Seidman.
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Bringing the Struggle into Focus
Fait partie de 5-CULTURE & RESISTANCE CONFERENCE 1982
"There is an undeniable responsibility of photographers in South Africa to use photography as a medium to establish a democratic country". The author argues that a sensitivity to everyday experiences is key to realising this responsibility. The paper deals with the "role of culture in photographic communication, the formation of our [South Africa's] resistance culture, our country's uniqueness and how this affects the level of awareness of people, the relevance of technique and the outlets for committed photography".
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